The honest truth behind the Rihanna and Paul Heyman “scandal”

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A few days ago, I ran across a story on a blog about a professional wrestling promoter named Paul Heyman who believes that the cover for Rihanna’s single Russian Roulette may have been inspired by a cover for album he produced back in 1998. I was surprised when I saw that the story grew legs and was repeated by dozens of other blogs and online magazines.

Today, a blog called People Magazine Daily (not affiliated with People magazine) went so far as to accuse Rihanna’s record label of unauthorized use:

Rihanna’s photograph was an unauthorized use.

So when do you think she and her company will have to pay the Pied Piper?

So, I think it is time for the AlbumArtExchange’s most vocal album art expert to weigh in on the issue. This “scandal” needs a voice of reason.

Those of you who follow the AlbumArtExchange blog know that there are probably thousands of examples of these kinds of coincidences involving album covers. At first glance, it appears that these two covers have a great deal in common. The pose is similar and both figures are wrapped in barbed wire. If you’ve never seen a photograph of a person wrapped in barbed wire, you may come to the hasty conclusion that the later cover must have been inspired by the first. In truth, the artistic theme of a person wrapped in barbed wire has a long and kinky history.

Posted by: zeefritz
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Posted by: zeefritz
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Those of us who have studied art and photography recognize being wrapped in barbed wire as a fairly common theme that stems from the world of S&M and bondage. There are paintings and photographs showing women (and sometimes men) wrapped in barbed wire going back decades. Often these images are focused on a woman’s breasts, as with the Rihanna cover. I have found several examples online (below) that are very similar in concept to the Rihanna cover.

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The fact that Rihanna is wearing a mask and a corset indicates that her cover was inspired by the S&M fetish, rather than professional wrestling. Where Paul Heyman got his inspiration is another question. I don’t think fans of professional wrestling realize just how much kinky stuff is displayed in this field of entertainment — sweaty, muscular men wrapped in barbed wire, hmm.

The larger issue that should be discussed is whether or not either cover is really appropriate for items that are displayed in public to a general audience that includes children. Being wrapped in barbed wire is a form of torture. Yet, both images unrealistically depict the person wrapped in barbed wire as being free of any obvious pain. Some may argue that such an image is more degrading to women.

Graphic designers and art directors typically have college degrees in the field of Art. They study paintings and photographs that often explore controversial subject matter. The problem with using those types of themes on an album cover is that the proper context is often warped or absent. What does it mean to a 12-year-old child to see his or her pop idol or a wrestling star wrapped in barbed wire? What is really being sold by both of these covers? Sex and violence appears to be the answer.

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2 Comments

Perhaps someone should remind Heyman of John Mellencamp’s ‘Dance Naked’ album from 1994.

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This page contains a single entry by Fritz published on October 26, 2009 11:15 AM.

Wacky Album Cover of the Evening was the previous entry in this blog.

Album Art Flashback: The Rocky Horror Picture Show is the next entry in this blog.

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